The Listening Centre - London

Alfred A. Tomatis, a French ear, nose and throat physician, began developing his method in 1947, based on observation and research in audiology, phonology and psychology. The term "audio-psycho-phonology" describes basic principles inherent in the method. His technique aims at understanding and structuring the control circuits of voice, speech, language, social-emotional functioning and behaviour via listening.

The Tomatis Method is particularly concerned with the process of language integration based on the relationship between hearing and the production of sounds and speech. Sound production is directed by the auditory system which is linked to the reactions of the the brain as the centre of thought, feeling and behaviour. The interaction between audition and phonation, that is hearing and the production of sound is called the "Tomatis Effect", for which he was honoured by the French Academy of Science and Medicine in 1957.

The voice can only produce what the ear hears

If the ear hears properly the voice is properly produced. By giving the ears the chance to hear properly the voice instantly and unconsciously improves.

By stimulating the ear over a period of time with the correct auditory habits it is possible to transform the voice permanently.

The Tomatis approach aims at heightening the client's engagement abilities. It provides an auditory "tune up" exercising the muscles of the middle ear. The Tomatis programme integrates music into a unique treatment format that link the five components of the Chinese verb "to listen" - ears, heart, self and undivided attention. Better listening means enhanced voice production, more fluid speech and better quality of life.

After an initial listening assessment you will have a programme tailor-made for your listening. You will have a two week training period involving four consecutive half hour sessions per day of listening to music which is gradually filtered to meet your listening needs. During this time an active session of humming and chanting can be integrated. Following this there is a three to five week break in which the effects of the treatment continue to develop. Then there is another period of intense listening for a further week.

Throughout the treatment period you will have further monitoring listening assessments.

Mozart and Gregorian chant. Mozart because of its invigorating and liberating potential, which charges the brain with energy. Gregorian chant because of its correspondence to the beat of the human heart at rest and relaxing refreshing qualities. Both of these forms of music are particularly rich in high frequencies which charge the brain with cortical energy.

No, the training uses highly specialised equipment. You must visit a centre. Many clients appreciate this special time just for themselves as the treatment is both invigorating and relaxing.

Not being able to pitch tones accurately is a symptom of faulty listening. This can be rectified by Listening Therapy but needs more than the basic course to achieve the desired result. My experience working with people who are not able to pitch tones has shown me that it is a focus problem and often the client's spatial awareness is literally flattened. Once the muscles of the middle ear learn to react efficiently to sound the vestibular function of the ear is also realigned, allowing the body(the receiver of sound) to experience itself accurately in 360 degrees and hence sound is appreciated in it's fullness and can be reproduced. There is a lot to catch up with, but it is possible.

What you are experiencing in your chanting is within the scope of your present listening patterns. Often when people make improvements they are learning to access the full potential of their existing patterns. Listening Therapy will open the ears to even more, allowing you to access the sounds that your current listening patterns hides from you.

The machine has a series of filters which modulate the sound so that the muscles of the middle ear are switched over from a state of total relaxation to a stimulated one. This switching forces the lazy muscles to develop tone and react to the frequencies they have neglected and ignored. However, all this is very gentle and the machine is operated by the therapist to suit the level of your listening and the progress that you have made.

No. Listening Therapy is the prerequisite for any sound or music based therapy! Listening Therapy deals with our receptors, the ears, getting them to function as they should and to their maximum potential. Your receptivity and response to any sound based therapy will only be as effective as your ears are effective.

There is a difference between listening and hearing. There are many ways in which the performance of the ear can be effected and its not just the obvious things like ear infections and damage due to loud noises. Over time our bodies can also shut down the ears various functions in response to stress, illness or emotional trauma, often rooted in early childhood. For whatever reason it is as if our subconscious says, "its too difficult for me, I don't want to hear it". This means you may have perfect hearing, but not necessarily good listening.

No, hearing is the unconscious taking in of all the surrounding sound. Listening is a conscious tuning in on a particular source. Unlike the passive reception of sound which is hearing, listening therapy focuses on listening, which is an active, focused interpretation of sound. Basically the listening therapy works on normalising attention and perception.

Tomatis is the pioneer of all listening based therapies. There are quite a number of therapies that are more or less based on his work. Tomatis uses analogue sound and not digital. That is taped music and not CDs. The implications of this are profound, as digitalised sound is “broken” sound, made up of tiny fragments of sound with tiny gaps between. This “deadens” the sound, losing richness and overtones. The brain doesn’t work in a digital way!

Some therapies that offer a digitalised listening programme do not offer audiometric assessments. This means that rather than having your assessment by a Tomatis trained consultant who can test and interpret your listening pattern, you may be sent to an audiologist whose equipment is not calibrated for Tomatis work and who will not be trained to interpret the results as a qualified Tomatis therapist would. This will limit any potential feedback to aid in assessing progress and devising your personalised listening programme.

Leaving aside the un-monitored Do-It-Yourself “therapies” that do not bring about any permanent change in the listening pattern as the client is not able to be properly assessed and guided through a course by a professional, there are other therapies that offer a reduced form of listening therapy. Several aspects are however, unique to the genuine Tomatis Listening Therapy.

Only Tomatis addresses the conduction of sound through the bone. We hear through our bones! Yet only Tomatis has a dedicated bone resonator as a normal part of the treatment.

Furthermore, not all the other therapies filter music up to 9000 Hertz. Only the Tomatis Electronic Ear does this – and only frequencies at this level are perceptible during the final, most profound part of the course!

Finally, not all therapies offer chanting or music making, singing etc, through the Electronic Ear, allowing musicians, language students and indeed all clients to make adjustments naturally and effortlessly to their own output.